Friday, 23 June 2017
Musing on Dramatic License
Mind you, I should know better than to say that. I used to process the email that came in through the Corrie.net website. Flaming Nora can back me up here. There would occasionally be an email from someone that didn't seem to understand that what they were watching was acting. I remember when Alma died of cancer. There were a half dozen or more emails from people who really thought the actress was dying and how brave was it of her to portray Alma's death on screen. When the storyline aired in Canada some months later, in popped a few more similar emails. I guess there really are some people that get far too involved and confuse fantasy with reality.
I'm finding it a little difficult to accept that a man diagnosed with terminal cancer only bothered to try to find a guardian for his daughter almost before it was too late. He knew he didn't have much time left, he told that to Billy when he first appeared on the screen about a month ago. Surely if you have cancer, even if you don't know yet that it's terminal, you would scramble to get your house in order especially if you had the guardianship of a child to worry about, and especially knowing she'd either go into care or be given to your homophobic parents if you didn't make prior arrangements or at least write a will and express your wishes there. Social services might still get involved under those circumstances but surely they'd lean towards a big hearted gay vicar over a mean spirited homophobic grandmother.
I can't say yet if this story is going to interest me much but I will say this, if Billy and Todd do end up with Summer, they had better find somewhere to live. I'm pretty sure Eileen isn't going to go for having yet another mouth to feed.
David finally found out Shona's connection to his late wife, the fact that her child is the one that killed Kylie. Naturally he went ballistic, particularly because he was finding that he was attracted to her and it was mutual. She went and ran off but I'm sure she'll be back and in the time honoured tradition of soaps, they'll eventually get together though it's going to be weird that Kylie's kids' step-mother is the mother of the man that killed their mother. My head hurts already!
Eva's always been full-on with relationships, pushing them into the next step before the fella was ready for it. I think that's why she kept getting engaged and then dumped. When we first met her, she was licking her wounds after a broken engagement and was there not something about when she was staying in France (when the actress was on maternity leave), that she wrote to Leanne that she met a guy and got engaged? When she returned, she was broken hearted again. Those relationships start up and zoom through to that huge commitment stage far too quickly and that's her fueling the zoom bit just like she's done with Aidan. First it was the push to get him to move in and recently it's been the proposal anticipation. But while she's told him about the baby, she's also going to be plotting his downfall while he continues to gleefully juggle both women, making empty promises to each.
We suspend disbelief in most cases when dramatic license is taken. There's no harm in that. Tv, movies, books, fiction. Sometimes the writers need to throw in a twist or two that might be a bit over the top.
What bothers me is the nit-picky stuff, or if a character is written to do something that we know they would never, ever do. (i.e. when it was discovered that Betty Williams pilfered all those bar glasses) We also stand up and holler if Corrie history is blatantly rewritten (Annie Walker couldn't leave the pub to Betty because the brewery owned it and did until Bet Lynch left and the Duckies bought it from Newton and Ridley.) Would one small neighbourhood have that many people that have had anywhere between 4 and 6 spouses? Would one small neighbourhood have a building bursting into flame every year or two? Sometimes, you just roll your eyes and get on with it.
Tvor (Twitter @tvordlj)